No more nature we say after fourteen hours on the water in August,
skin ready to crack, lips too tender to close. No more nature
in November when blackfish strand in the salt marsh
and we’ve stood in sulphur muck as the tide falls out to dark,
their breath whistling hard as we dig pits for flippers
scraped raw by sand, as vets try to predict which
could survive until flood, which should get the syringe
of chemical sleep. No more nature after the storm blows up
while guiding kayakers across the bay, which means towing home
the shoulder injury, prow lunging the chop, tow rope
cinching the gut. No more nature after waking before dawn
to band birds in first frost, shin after shin ringed
with numbered metal, wing after wing teased from nets
until we almost forget how frightened their small hearts made us
when we first held them. No more, we can’t take it, can’t
resuscitate our wonder, can’t keep up with its unrelenting.
But then we have a beer. We take a shower. We decide
to walk around the pond and look for turtles. After all,
we could see a coyote lapping its reflection, we could find
the nest of the great horned owl that calls each night
as we lie in bed, unable to not listen, unwilling to miss anything.
Most of the poems in Interpretive Work were published before content was widely available online.
I wanted to make some of them more accessible here.